The
Curious Incident of the Dog in the Night-Time
adapted
by Simon Stephens from the novel by Mark Haddon 28th Sept – 3rd Oct 2026
Cast
Christopher Boone – Will Shelton Siobhan – Jane Bracey Ed
– Paul Sully Judy – Jo Banbury Mrs Alexander, Posh Woman,
Voice Six – Jill Laurie Mrs Shears, Mrs Gascoyne, Voice One, Woman
on Train, Woman on Heath, Shopkeeper – Emma Ritson Roger (Mr Shears),
Duty Sergeant, Voice Two, Mr Wise, Man Behind Counter, Drunk One – Simon Young
Policeman 1, Mr Thompson, Voice Three, Drunk Two, Man with Socks,
London Policeman – Joshua Lewis No. 40, Voice Five, Lady in Street,
Information, Punk Girl – Ellie Chapman Reverend Peters, Uncle Terry,
Voice Four, Station Policeman, Station Guard – Alex Holmes
Director –
Sharon Sully Movement Director – Alasdair Stewart Production
Manager – Sam Harris Designer – Gina Reinge Wardrobe –
Sam Harris, Grace Sullivan & Alannah Harris Lighting – Katy Hawke Sound –
James Harris Props - James Rowlands, Su Rollason, Harriet Downes & Mesi
Johnson Projections & VFX – Lewis Sully, Chris Williams & Paul Sully Fight
Director - James Harris Prompt
– Vicky Whitehill Photos
by Richard Smith
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Director's Notes
While working in Sutton Coldfield a couple of years ago, I discovered The Curious Incident of the Dog in the Night-Time. I visited Sutton Arts Theatre, a community theatre not dissimilar to our own, and spontaneously booked a ticket. It was the first time I had seen live theatre alone.
I knew of Mark Haddon's novel and Simon Stephens' adaptation, but the story had passed me by. As the mother of a young adult who experiences life through a different lens, I was curious about what might unfold.
What unfolded captivated me.
Christopher's story begins with his determination to discover who killed his neighbour's dog, Wellington. Yet it is also about those who love him. His parents, Judy and Ed, try to navigate family life and a world that does not always make room for difference. Siobhan, his teaching assistant and trusted guiding light, helps him through a world that can feel confusing and overwhelmingly loud.
I was fascinated by how Christopher notices the enormity of the universe and its tiniest details, from mathematics, constellations and stars to the cows, grass and clouds around him.
On his journey to London, Christopher encounters a host of characters. Some offer help, while others create confusion. Through them, we experience the noise, unpredictability and occasional kindness of the world from his perspective.
This play truly tugged at my heartstrings. As the mother of someone who has not always found the world easy to understand, I connected deeply with Christopher's courage. His belief that he can do anything inspired me to step out from behind my publicity camera lens and say: “Yes, I can direct this show.”
I am hugely grateful to our wonderful cast and creative team, who have brought energy, imagination and compassion to my vision. As a first-time director, I have truly appreciated the extraordinary creative energy, skill and countless hours that go into making the magic happen on stage. My heartfelt thanks go to everyone who has supported me throughout what has already been an emotional journey, in the very best possible way.
I believe passionately in theatre's power to let us see through somebody else's eyes. If you leave with more understanding for the overwhelmed child, the struggling parent or the teacher offering a steady hand, then we have achieved something important.
Perhaps, with a little more kindness and courage, we can all be like Christopher and know that we can do anything.
Sharon Sully |